R.I.P. Barry Sinervo

I was saddened to learn of the recent passing of Barry Sinervo. Barry was a biology professor at the University of California Santa Cruz. His work on behavioral variation in side-blotched lizards was so exciting and his findings always made their way into the classes I taught, whether it be about frequency dependent selection, genetic underpinnings of behavior and super genes, green beard-type effects, etc.

One of the biggest thrills of my career was to get to collaborate with Barry, albeit indirectly. A graduate school colleague, Shawn Kuchta, conducted postdoctoral research with Barry. Shawn was investigating selection on color patterns in Enstatina salamanders. We worked together on one of his experiments. I was the “bird guy” who helped catch and temporarily house scrub and steller’s jays to test their aversion to one of the salamander color morphs that was thought to mimic the extremely toxic newts (it does!).

After our work together, I was invited by another professor to come down to UCSC and give a seminar, and was finally able to meet Barry. What a joy to get to sit down with him! Even though his main systems were reptiles and amphibians, he was full of questions about my work with turkeys and sage-grouse. He is leaving a huge legacy in his work, students, colleges, and more.

Behind the Scenes: Eclipse Photos

Standing victoriously next to my camera set-up

I was going to just write a sentence or two about actually taking the photos, but when this part of the story stretched to multiple pages, I realized it deserved it’s own post. Warning: possibly of interest only to would-be camera nerds.  This is pitched at a fairly basic level. Eventually I plan to edit in some links to external articles from at the end of this post. The story of my eclipse trip can be found in the previous post, and a flickr album with more photos can be viewed here.

 

My main goal was to get a photo of the sun’s corona at totality along with some photos of the partial eclipse. I wasn’t trying to make one of those neat composite images showing the entire progression of the eclipse. Since I didn’t know what it was going to look like at the park until I got there, I didn’t plan on doing anything wide-angle to capture the eclipse and the landscape. No video. Just the money shot. Simplifying was also important since I had to fly from the west coast and didn’t want to bring everything I own.

Camera: I went with my older DSLR camera (Canon 60D) over my newer camera. Although in most ways inferior, the 60D had one important advantage- a flip-out, fully adjustable LCD screen. In testing the week before, I found this amazingly helpful when trying to aim and focus when pointing almost vertically at the mid-day sun.

Lens: For the lens, I used my oft-neglected Canon 400mm f/5.6. I usually leave this at home for wildlife because I have other lenses that do the “long lens” job as well or better. But this is a really sharp lens, and since I was going use a tripod I thought the lack of image stabilization wouldn’t hurt me. Additionally, being a fixed focal length lens rather than a zoom might actually be an advantage. There’s something called “zoom creep” or “lens creep”- heavy zoom lenses can inadvertently zoom in or out if pointed much above or below the horizon due to the weight of the lens itself. Again, not often a big issue for photographing wildlife that’s in front of you, but when pointing up at the sky for long periods of time, I thought it could lead to problems.

Filter: To shoot the eclipse before and after totality, I purchased a 77mm solar filter from StarGuy. This is not a cheap filter (especially for being basically a small swatch of mylar in a filter ring), and if you enjoy doing things on the cheap you can probably search the internet for cheaper solutions to not frying your camera sensor.  Luckily the 400mm lens has a 77mm filter thread as do several other of my heavy-rotation lenses. A quick side note about filters: if you have lenses of different diameters and want to use a filter on all of them- you can buy for the larger size and buy “step-down” rings to get it to screw into the smaller one.

Tripod, etc. Even with a decent tripod and tripod head (I used my Gimball head since it’s made for bigger lenses and a little easier to control than a ballhead and easier to point vertically than the panhead I used for my spotting scope), a 400mm lens will show a lot of shake. I hung my backpack off my tripod to further minimize shake through the tripod. I used both a wired remote and the 2-second timer feature so I could capture the image after the vibrations of physically touching the camera had dampened. I also attempted keep the shutter speed as high as possible by shooting at relatively high ISO settings (I think 800-1600 ISO). Although this is an older sensor and high ISO noise can be an issue, I figured that I could fix some of the sensor noise on the computer. It’s much harder to fix an image that is blurry due to shake or motion during too long of an exposure.

I manually focused using the LCD (i.e. “Live View”) rather than the optical viewfinder- in fact I never used the optical viewfinder once it was on the tripod. Not only was it safer for my eyes not to be looking towards the sun, it was ergonomically better to be able to stand and look comfortably. Moreover, the camera has an option to zoom in during live view which really helped in seeing more detail when fine tuning during focusing.

MISTAKES WERE MADE

Even with a practice run on a full California sun the week before, this was a difficult task. The light changes as the sun disappears, and during totality there are only a couple of minutes to try to take in the spectacle while still getting some good photos.

1-    Removing the filter at totality. I remembered to do this, which is good. However, I didn’t think about the implications of unscrewing a filter when relying on manual focus. The lens rotated a bit during this process. As in rotated slightly out of focus. Thankfully I eventually noticed and re-focused when I had to re-aim the camera to track the continued movement of the sun across the sky, but the first few photos I took during totality are trash because of this blunder.

2-    Auto-Exposure Bracketing. This is a feature that’s been common in cameras for at least 30 years. Because it can be a little fiddly to know how your camera’s light meter is actually reading a scene, you can have your camera automatically capture extra images that are over or under exposed.  This is a great idea if you might end up liking one of those alternative exposures better than the “correct” one. Also, if you are into more advanced post-processing of your photos in the computer, you can combine parts of these stacks of exposures to create a manufactured image with more detail in the darker and lighter parts of the image (this is called High Dynamic Range or HDR photography). I didn’t end up doing bracketing, and I’m not really sure why since it’s “free” in every way except for adding 3 to 5 times more photos to sort through.  I ended up paying enough attention to the lights and darks on the screen in Live View that I ended up with images I was happy with, but it was kind of silly of me not to avail myself of this great tool on the camera.

My one wide-angle shot from a point&shoot camera

3- More “scene” images. There’s only so much one can do in the 2-plus minutes of a total eclipse. One of my biggest priorities was to make sure I was experiencing the eclipse- pausing to take in the wonder with my senses and let the spectacular phenomenon wash over me. That said, next time (in 7 years), I’d like to squeeze in a few extra snaps from a second camera to get the whole sky and horizon, and maybe have a video camera aimed at the crowd to get their reaction. I had my phone set to do this but somehow abandoned the plan once we got near totality. Or maybe I should just leave this for a friend to do!

My Eclipse Story

My eclipse story was almost one of regret. My home in the Bay Area was in a zone of about 70% totality and frequently foggy, so I thought I might miss the total eclipse entirely. I was yearning to see it at our sage-grouse site in Lander, which was just inside the band of total coverage. How magical would it be to be among my favorite Monument Draw rock formations or in the ancient petroglyph site at Castle Gardens when day turns to night?

Thankfully my dad had a plan. When he suggested a trip to South Carolina, I jumped at the opportunity!

We left in the morning the day before. Although it was less than 250 miles from Durham, we were concerned about the possibility of getting stuck in traffic or not being able to find a good viewing location once we got within the path of totality. The extra day also gave us a chance for a more relaxed drive down, allowing us time to explore a long-leaf pine forest in southern North Carolina border. This is a threatened, fire-dependent ecosystem characterized by towering pine trees and limited undergrowth.

Long-leaf Pine forest on state game land near Hoffman, NC

Since we took back roads on the way down, we didn’t hit much traffic before settling in for the night in Camden, South Carolina. Eschewing the “it’s just like Applebees” restaurant next door to the hotel, we found a surprisingly decent Mexican place just north of the Camden downtown. Eclipse morning, the breakfast zone in the Comfort Inn was full of excited groups sharing their viewing plans for the day. Many were headed to the fairgrounds in nearby Columbia, SC.  We checked the weather forecasts for the umpteenth time, decided no place within easy driving distance looked any more or less likely to have clear skies, and set out for on our initial target: Pointsette State Park.  Lynn selected this place since it was

  • a little closer to the center of the path of totality, meaning a longer total eclipse
  • not in/near a large population center, so maybe less crowded than some other places
  • likely to have open areas for picnicking and recreation where we could see the sun overhead without those pesky trees.

I couldn't resist stopping for a photo of this one. Nice driveway!

Our anticipation climbed as we drove south from Camden through small towns and past stately plantation houses. It was a couple of hours before the beginning of the eclipse, but a few people were already set up with tents and umbrellas in clearcuts in the state forest land outside of the park. We were not the first, but certainly not the last people in the park itself. After estimating about where the sun would be in the early afternoon, we found a place in the thin but growing crowd, and then concentrated on not melting in the brutal midday heat and humidity.

 

At one point I escaped to the shade of the woods, and an excited young lady pointed out these orb weaver spiders (probably genus Nephila).  Not much other wildlife with the exception of some butterflies and dragonflies. Other people swam or paddle-boarded in the lake, caught up on their reading in the shade, or played cornhole.

 

We had a typical summer sky- hazy, with scattered clouds. Although the cooling effect of a thunderhead covering the sun was welcome, it made us a little nervous about the eclipse. What if we drove all this way and couldn’t see anything?

A few sunspots visible through the cloudcover

Some time after 1PM, I stepped back to my camera setup and re-centered the sun in the viewfinder. Wait, is that a little nibble! It has begun! My cries of “It’s happening” caused folks to don their solar glasses and peer skyward.

Of course, there is a long way to go between nibble and totality. The day stayed sunny and hot. Many folks returned to their blankets or spots of shade. Others were drawn to the small pinhole images of the eclipse you could see projected on the ground. My dad planned ahead and brought a colander, which was a huge hit!

Eventually somewhere around 75% coverage we started commenting on how the sunlight light was a little dimmer and the temperature was coming down a bit. The passage of time felt a little funny to me, both crawling and racing towards totality. It continued to grow darker and cooler and at last the final sliver of the sun zipped away.

Totality! There was a gasp, then a cheer from the crowd. The sky now looked like dusk, but lighter all around the horizon. It reminded me of late night at Toolik Field Station above the Arctic Circle, where the light lingers and seems to come from everywhere and nowhere at once. A few stars or planets peaked out in the deeply dark blue sky. And the corona! The black disk of the moon was now wreathed in a silvery aura. The strange and sudden darkness, the eerie twilight quality of the light, the beautiful foreign object that replaced the familiar sun… Amazing. Absolutely amazing. It is really challenging to put into words how unreal and joyous this moment was, and in the back of my mind I thought about how utterly unnerving this would feel if one were not expecting it.

We heard a few katydids call. In what seemed like 10 seconds and 10 minutes, the moon finally crossed to the other side and the sun flared back. The light was still quite dim, with the quality of a single bright but distant street light.

The famous "Diamond Ring" effect

The spell broken, people chatted excitedly while packing up, many exchanging contact info to share photos and video of the event. While we did the same, I looked overhead and noticed the sky (still with a partial eclipse) now populated with chimney swifts and barn swallows. I didn’t notice any of these aerial insectivores before the eclipse started, so it could be they were triggered to emerge and start foraging by eclipse conditions. I didn’t keep careful enough notes to add to citizen science projects like the one on iNaturalist, but hopefully other eclipse watchers around the country were able to document potential responses such as this.

I don’t know what the interstates were like, but our plan to use back roads did not work quite as smoothly on the way back. We encountered delays approaching pretty much every small town with either a traffic light or stop sign. After a stop for dinner at an Irish pub in Southern Pines, we made it back to Durham by about 9 o’clock. Thus ended our eclipse adventure, although the memories will be with me for the rest of my life.

If you missed this total eclipse, please make every effort to get to the next one on April 8, 2024. I can’t overstate how special this was, nor how big of a difference even high-90% occlusion is from totality.

I’ve got a few more photos in a public Flickr album here.

Also, I’ve written up some technical discussion on how I took the photos in separate post.

Trait Variability review now available online early

Some papers bloom quickly from concept to publication, while others resemble periodic cicadas, spending years growing in the shadows before finally emerging into the light of day many years later. An example of the former is the technical review that our collaborator Jen Forbey is leading. This paper is the outcome of our workshop at the International Grouse Symposium in Iceland last summer, and our revisions are nearing completion.

As an example of the latter, take the review on within-individual trait variability that is now available online early in Advances in the Study of Behavior. Gail first conceived of this paper as a postdoctoral scholar at Cornell, and the paper became a framework for some of our early grant proposals with the sage-grouse. At that point we turned our attention to empirical work with the grouse, and developing a more specific framework for interactions on the lek that became it’s own review. Now, with the help of Gail’s former graduate student (and before that, grouse intern), Conor Taff, we’ve finally finished!

2015 Field Recap part 3: Outreach

With the 7 days a week we spent catching/watching/following sage-grouse, it is amazing we had any time for anything else. We did manage a few outreach events. Here’s a quick recounting:

Gail participated in a press junket in Pinedale sponsored by Fish and Wildlife. This resulted in a lot of interviews and articles mentioning the fembot and our work, including this LiveScience piece. Another humorous bit of press: having our robot held up as Wyoming’s symbol of Earth Day in the Parade Magazine Sunday newspaper supplement. Never mind Yellowstone, Grand Teton, wolves, bison, grizzlies, or even a live sage-grouse, somehow a robot grouse made by a California lab best represents Earth Day in Wyoming! We had to laugh at that.

We also helped with a number of local events. Gail brought the robots down for a weekend Ag fair in Lander, and also a sort of project summary for the BLM biologists at the field office in Lander. I took part in a 4th grade Outdoor Education event in Sinks Canyon. This was a station dedicated to introducing bird ID and bird watching skills, sponsored by Red Desert Audubon Society.

Jazmyn McDonald points out a bird during one of the sessions at Sinks Canyon

Del displays specimens of local birds.

Practically on our way out of town back to California, I gave a popular talk sponsored by Red Desert Audubon. Even though it was Friday evening, we still got over 40 people there! It was really nice for us to finally get a chance to talk about what we’ve been doing in the Lander area for the past 10 years.  The Red Desert folks were thrilled as well– they are a smaller chapter and don’t often get to organize events like this. Hopefully not the last time we’ll be able to plan something with the local birding and conservation community.

Although it aired since we returned, we had some hand in The Sagebrush Sea outreach (as well as a little bit with the production). We helped find a venue for a local screening event, and Gail even filmed some Q&A for Wyoming Public Media. This film, which aired this week on PBS Nature, was produced by staff the Cornell Laboratory of Ornithology, including our collaborator (and first person ever to make a sage-grouse recording array), Marc Danztker. If you haven’t seen it yet, it is now available online from the PBS Nature website.

http://www.pbs.org/wnet/nature/sagebrush-sea-full-episode/12341/

Another highlight of the season was getting to meet well-known photographer and conservationist Noppadol Paothong. Nop recently published the book “Save the Last Dance” on the plight and wonderment of North American prairie grouse (sage-grouse, prairie-chickens, etc). This book is a beautiful passion project and won and independent book award. Nop is now working on a new book focused entirely on sage-grouse, and wanted to check out our research. Who knows, maybe you’ll get to see one of the fembots in a book soon!?

I may think of some other highlights worth posting, but otherwise, stay tuned for summer updates. On tap for the next few months will be revisions, writing, analysis, and getting ready for a couple of presentations at the International Grouse Symposium in Iceland!